The live chat originally took place on February 21st. You can watch it below in case you missed it.
The live chat originally took place on February 21st. You can watch it below in case you missed it.
Charlie Hunnam realises he needs to balance his relationship and work more effectively for when talk turns to starting a family.
The 36-year-old actor has been with his girlfriend Morgana McNelis since 2005 and the pair has had to ensure long periods apart due to Charlie’s film schedules.
He has previously admitted struggling to assign time to both his love life and career, and in a new interview he shared his desire to strike harmony between the two.
“I have an incredibly understanding girlfriend who is requiring more and more as we get older that I figure out a way to balance these things a little better,” he told Total Film magazine.
“I’ve gotten off pretty easily so far, with being able to just disappear and be completely selfish and singular in my focus, but if we’re going to start talking about children and getting married then I’m going to have to figure out a way to balance that a little bit more effectively.”
Despite the hurdles, Charlie’s star has soared over the years, with his breakthrough role coming in TV series Sons of Anarchy.
He describes the series as “true education” in acting, storytelling and filmmaking and doesn’t know where he’d be today if it wasn’t for his role as gang leader Jackson ‘Jax’ Teller.
“I was a working actor, I was able to work with good directors and make films I really believed in. But the opportunities were fairly sporadic and sometimes few and far between,” he recalled. “And Sons changed all of that. I was in an exponentially better position by the time I finished that show (in 2014) than I was at the beginning. I grew in confidence.”
Charlie currently has several silver screen projects in the pipeline, including The Lost City of Z and King Arthur: Legend of the Sword.
Congratulations Charlie! 😀
The official convention of the National Association of Theatre Owners (NATO) will honour the British star on March 30.
Charlie Hunnam will receive the Male Star Of The Year Award during the annual Las Vegas CinemaCon event.
The actor will next be seen in The Lost City Of Z, which Amazon Studios and Bleecker Street releases on April 14, followed by King Arthur: Legend Of The Sword, which Warner Bros opens in North America on May 12.
“Having captured the attention of audiences around the world with his standout performances on the small screen in Sons Of Anarchy as well as on the big screen in such films as Children Of Men and Cold Mountain,’2017 is sure to be Charlie Hunnam’s year with his starring turns in King Arthur: Legend Of The Sword, and Lost City Of Z,” said CinemaCon managing director Mitch Neuhauser.
“We could not be more thrilled to honour such a talented actor with our CinemaCon Male Star Of The Year Award.”
CinemaCon is scheduled to run from March 27-30.
We’ve all been wondering why Charlie was in London recently, and as it turns out while also doing what I assume is some early promotion for the film it appears that Charlie will also be attending the UK Premiere of the Lost City of Z. The stars listed to attend include Charlie, Sienna Miller, and Robert Pattinson. The premiere itself will take place on Thursday, February 16th at The British Museum hosted by Harper’s Bazaar in celebration of their ‘Best of British’ issue.
— Be The Red Carpet (@Betheredcarpet) February 6, 2017
“From nothing comes a king,” promises this new trailer for Guy Ritchie’s King Arthur: Legend of the Sword, and the filmmaker’s certainly found a new way into the Arthurian mythos. Starring Charlie Hunnam as the man with the Excalibur, King Arthur looks more action-packed and stylish than we’re used to seeing in our ancient English folklore.
The clip, which is set to air during today’s AFC/NFC broadcasts, opens with Hunnam’s Arthur intoning, “I am here now because of you – you created me.” Who the “you” is remains something of a mystery, which presumably will be answered when the film hits theaters May 12.
In addition to Hunnam, King Arthur stars Jude Law as his power-grabbing uncle, and Astrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen and Eric Bana. Ritchie directs from a screenplay by Joby Harold and Ritchie & Lionel Wigram, with a story by David Dobkin and Joby Harold. The film is produced by Akiva Goldsman, Joby Harold, Tory Tunnell, and Steve Clark-Hall, Ritchie and Lionel Wigram. David Dobkin and Bruce Berman are executive producers.
The film will be distributed in North America by Warner Bros. Pictures and in select territories by Village Roadshow Pictures.
Ewan McGregor has just been set to star with Léa Seydoux in Zoe, the next film that Drake Doremus will direct. He will replace Charlie Hunnam, who has dropped out for scheduling issues. This has just happened, and it occurred while Doremus is getting ready for the Sunday Sundance premiere of the acquisition title Newness, the film that stars Nicholas Hoult, Laia Costa and Danny Huston.
Zoe, which is being financed by Stuart Ford’s IM Global, is scheduled to shoot in Montreal in April with Scott Free’s Michael Pruss producing with Doremus and Robert George. McGregor is about to open in T2 Trainspotting, the Danny Boyle-directed sequel to the cult favorite movie.
Written by The Beauty Inside’s Rich Greenberg, Zoe follows two colleagues at a revolutionary research lab who design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound than they could ever have imagined. UTA and United Agents rep McGregor.
Back in the days of yore — specifically July 2015 — EW brought you the first look at Charlie Hunnam as a gritty, wisecracking sovereign in King Arthur: Legend of the Sword. A year and a half later, fans are still waiting to see the former Sons of Anarchy star pull the sword from that stone.
EW caught up with director Guy Ritchie, who’s putting the finishing touches on the special effects for the film (set for release on May 12), to talk about the delay and how he planned to make King Arthur a hero audiences in 2017 will care about.
We last spoke about a year and a half ago. Where are you in the process right now?
As of five minutes ago, it was the last visual effects meeting I had, so I am at the end of it, as of five minutes ago. It has gone on for some time.
The release date shifted three different times. What was the main reason for the date changing?
The date kept shifting, I think, simply because of competition. We could have wrapped up a year, but since we didn’t have to wrap up a year ago, you keep this visual effects things going on so that you can get the best out of them. But it’s such a crowded market out there, trying to find a weekend that you stand half a chance in is tough. That’s the only reason.
Did the shift allow you to do anything other than take more time with the special effects?
I quite like taking some more time because I can see the trouble people find themselves in by forcing a visual effect, which really does need more time. We’ve had the luxury of sitting back. If we did not have that luxury, your visual effects aren’t going to be there. We’ve had a year, haven’t we? We’ve have a year to improve them, and today is the last visual effects meeting. It’s a year’s extra work.
This King Arthur started as three different projects, including one you were developing. What was different about your initial project?
This is the one, essentially, except in this one we’ve got 300-foot elephants. Though really, that’s the only difference. It’s the same story, but this one has more of an element of fantasy in it, which is consistent within the tone, but other than that, it’s pretty much the same story.
Your big idea was to bring this guy down to the street level, right?
Yeah. I quite like John Boorman’s Excalibur, and I think Boorman touched on things that I thought, “Oh, I’d like to have a go at that.” He did a pretty good job at some aspects of it. It’s a genre that’s hard to tackle, and I wanted to tackle it.
What makes it a hard genre to crack?
All genres are hard to crack if you’re familiar with a particular genre. It’s easy for a filmmaker to stay within the genre he’s familiar with. It’s more challenging when you get outside of that. You have to use reference points that you’re sympathetic to. What is a reference point to King Arthur that you’re sympathetic to. The only thing I could think of is elements of Excalibur. There wasn’t anything to copy, right? I have opinions about what they got right, what they didn’t get right. So now you’re going, “Well, you have to run that gauntlet. Are you funny? Are you unfunny? Are you funny and serious?” All of that takes a while to find your tone and your voice, and it’s challenging, like in Sherlock Holmes. That was a genre I hadn’t tackled before, so you have to find a voice within that. So it’s challenging, and you doubt yourself. Then you’re confident and you doubt yourself and you’re confident again. For me, I’m trying to think of a film in the genre that I really like…. And I’m quite quiet on that. There isn’t too many. There are elements within different films that I really like, but as a whole film, there’s not one I can think of.
Do you think audience expectations have changed in the last 10 or 15 years?
Yes. Film, like everything else, is subject to fashion. If you watch how films were made 15 years ago and watch how they’re being made now, the tonality is totally different. We’ve moved toward technically exponentially, so you can get away with visual effects from 15 years ago. But you have a broader tapestry, which means you can be more ambitious about the visual effects. In turn, it affects everything else. Once you change the tone and rhythm of one thing, it affects the tone and rhythm of everything else.
What did having Charlie Hunnam mean for that task, of updating Arthur?
To be fair to Charlie, Charlie won the role because he paid for his own flight. I wasn’t even thinking about Charlie. He wanted to be screen tested, and he won it, as did Astrid [Berges-Frisby]. They won it through the good, old-fashioned route.
What did you need from the guy who was going to be your Arthur?
I need someone who was going to understand my vision and have a similar disposition. I needed to realize that we were going to be on the same page, so that anything I said was going to mean something to him. I needed him to trust me. Those things were conspicuous in Charlie.
You can read the full interview with Guy Ritchie over at EW.com