Be sure to check out the entire interview over at Backstage.com!
How did you go about landing your roles?
Charlie Hunnam: I wasn’t really looking to do comedy, because I’m not really very funny. But Jordan approached me, and for some reason he came to the conclusion I was the guy he wanted and pursued me relentlessly. And it just seemed like there was no risk, really. We made this film for $400,000 in 19 days, and I thought, Why not? It’s either going to be a piece of shit and no one will see it, or it will be great and a fun experience.
Ron Perlman: Little did we know it was going to fall somewhere in the middle, which is our worst nightmare. It’s just good enough that we have to promote it!
Lizzy Caplan: I read the script and thought it was really funny. I think this was around the time I wasn’t super pumped about doing a tiny, tiny movie, but I heard Charlie was attached, and it was an interesting choice because they weren’t going for…
Hunnam: A funny guy?
Caplan: Well, I thought it was a great choice. And I thought it would be a challenge to do some of the weird shit Lassie has to do.
Perlman: I was brought in by Charlie, actually. We had just finished a season of “Sons,” and he said, “This is my summer vacation project, my arts and crafts thing, and the director would like me to pass it on to you.” I was supposed to look at the role Chris Noth ended up playing, but I then get to Phyllis. And there’s this gesture when he meets Frankie—I ask for my hand to be kissed. And I was just thinking of all those “Sons of Anarchy” fans. And I realized that even if I blow this performance, that shot alone will be worth the price of admission.
Caplan: I feel like we all got to play against type, and it was fun to take a swing at something with very low stakes.
Perlman: That’s why one does these little films; you get a chance to do things you wouldn’t normally get to do if the film was more mainstream.
So is Charlie really not funny?
Caplan: No. Not on purpose.
Hunnam: I’m not. Not in the least.
Perlman: I think he can be, but you can never predict it. And actually, comedy only works if you don’t play it for the laughs. You have to immerse yourself in the seriousness of it; therein lies the incongruity.