Disclaimer: This post only displays direct quotes and questions to and from Charlie. There were some questions left out intentionally as they were directed to other cast members.
Q: Charlie, one of the thing that is so engaging in your character is that he’s a man who’s full of juxtapositions. He’s not afraid to get himself into certain situations. At the same time, there is a real softness and delicacy and he’s very emotionally driven as well. Can you talk about your development process in crafting him?
CH: That’s a good question. One of the things I was very focused on was trying to make him as neutral as possible. It was one of the things I felt we could take a little bit of liberty with, departing from the source material. When you meet him initially in the novel, he’s already succumbed to the dark side. I wanted him to be very neutral — relatable and accessible, just like if any one of us had made a horrible mistake that derailed the whole trajectory of our life, so that — he wasn’t carrying a lot of baggage, or wearing a lot of armor.
Steven [Lightfoot], our creator and writer, talked about that a lot. It was really more about the world keeping on tripping him over, that idea of the way positive and negative feedback loops work, that this one mistake led to a series of mistakes that get him deeper and deeper into a hole that he has to try to climb out of.
Q: Charlie and Shubham, you guys crafted this friendship on screen, and it allows for moments of lightness and levity even when they’re in the midst of potential danger or death in situations, and still laughing and joking around with each other. So tonally, how did you find that balance of allowing for the grittier emotional sides of the characters, at the same time allowing for that light playfulness between the two of them?
CH: I really played off Shubham a lot. I attribute a lot of that to the energy that Shub’s brought to who he is and his interpretation of the character. I felt very much that, because of the position that Lin is in in the early episodes, he’s not really in a position to feel a great deal of identity or certainty about who he is. So in this sort of neutral space that I was really interested in exploring, who he was, how the company that he was in, reflected his behavior. He’s really sort of subconsciously trying to ingratiate himself into the environment and the social groups that he was finding himself exposed to.
SS: Well, it was a sort of paint-and-canvas situation. There was what I enjoyed doing with Charlie — and I think you enjoyed [it]. What we enjoyed was having a good time no matter what. No matter what as actors, no matter how hard it was, how tired we were, we were trying to have a good time.
Because it’s hard — thirteen hours a day, six days a week. So we were really going for that, and I think that bled into the characters. I think that’s very much the case with Prabhu, that he arguably has the worst [circumstances] out of anyone. He lives in a slum, he’s literally trying to make a buck so that he can put a meal on his plate.
So he’s going through it and his survival technique is, when a human is pushed to that level of adversity, your survival is to try and have the best time you can. The harder life gets, the more you need to survive, the more you need to try really hard to have a good time. I think the moments that were slightly more emotional — gritty, as you said — happened not because we were trying to, but more like we were trying to not have them, and then they come more as a surprise. That’s what I think happens more in real life; you’re never trying to be that, you’re trying not to be that. And then something happens and you’re sad.
Q: When he first meets Lin, it’s a kind of transaction that’s happening between the two of them, and an opportunity for him. For you, what was the tipping point, or the changing point, where it goes from being a transactional business opportunity into a real friendship and a real place of connectivity for him?
SS: The first scene we found, which was when he comes to my house and I feed him my food and we drink whiskey together and we swear together. That was another moment when the actors bled into the characters, which bled into the story which was, we had met each other before, we were acting for the first time together, and I was just vibing off him.
CH: We shot this — unfortunately, we had to block shoot the whole twelve episodes because we were shooting between Australia and Thailand, and we lost one of our directors in Covid and everything. So we had to start shooting all twelve episodes simultaneously, which meant that there were a lot of the end of the journey at the beginning of relationships, and stuff happening in a way that you wouldn’t usually schedule, at least if you were trying to be somewhat thoughtful of your actors. Continue reading Press/Interview: The Cast of ‘Shantaram’ Sit Down for a Q&A With Cinema Daily US
HollywoodReporter.com — Charlie Hunnam is famous for his acting chops, a nearly 100-episode run on FX’s Sons of Anarchy and two dozen credits on everything from buzzy series to films of both the blockbuster and independent varieties. But the actor says he has every intention of soon being known as something else.
Introducing Charlie Hunnam, the screenwriter.
“I’m trying to pivot basically full-time after Shantaram into becoming a writer,” he told The Hollywood Reporter recently, referencing the Apple TV+ series he toplines based on the Gregory David Roberts epic novel.
There’s one caveat: “I’m by no means going to stop acting but I’m going to try and only act in things that I write.”
He’s off to a head start. Hunnam reports that he’s hard at work on a handful of projects including some feature screenplays as well as miniseries that he wrote and set up at an undisclosed studio and a TV show set in his hometown of Newcastle, England that is loosely based on his late father, a scrap metal merchant, and others he grew up around.
“I’m starting to get some real traction and I hope to unveil some of this stuff over the next couple of years.”
With Shantaram’s first season currently airing on AppleTV+ you may have found yourself curious about the origin of the show and the book it’s based off of.
Who is Gregory?
The book Shantaram was written by Gregory David Roberts who was born in Melbourne, Australia. Sentenced to nineteen years in prison for a series of armed robberies, he escaped and spent ten of his fugitive years in Bombay—where he established a free medical clinic for slum-dwellers, and worked as a counterfeiter, smuggler, gunrunner, and street soldier for a branch of the Bombay mafia. Recaptured, he served out his sentence, and established a successful multimedia company upon his release. Roberts is a now full-time writer and lives in Bombay.
Fascinating, right? What a life he has lived and more so, what stories he must be able to tell.
The 7 Year Journey
Now, you must be wondering: How did it get adapted to television? Well, it was a 7-year long journey as Charlie tells it. Here are some quotes of Charlie sharing his thoughts and experience behind what it took to finally get Shantaram on our television screens.
“Seven years ago, I read Shantaram and it became an obsession for me to be part of the creative team that would bring this adaptation to screen,” he revealed. “Luckily, seven years later, that tenacity has paid off and I’m the guy that got to play Lin.”
Collider: Charlie, as I understand it, this first came your way in the form of the book and it hadn’t gone into development as a TV series yet. How many years ago was that, and what was it about the story that really kept you following the project over the years, instead of just giving up on it?
CHARLIE: So, I was given the book about seven years ago and fell madly in love with it, as a novel. It’s a pretty spectacular piece of writing, very clearly lead-begging to be adapted to the screen. The problem was that it was owned by Warner Bros. for many years. At the time, it was a film-centric industry, so for many, many years, they labored to try to whittle the story down to a two-hour narrative, which I think was just impossible to do. So me, coming from television when I read the book, I was immediately thinking about it long-form, thinking you tell a story over 30, 40, or 50 hours.
The guy who gave it to me, Eric [Warren Singer], was one of our first producers, who’s still a producer on it. We just went on a journey of basically stalking Warner Bros. to see when the rights would became available. We tried to secure them ourselves, were unsuccessful, and then found out who was successful in securing them, and tried to convince them to hire us. That was the way it went.
The reason I wanted to do the project, honestly, is that it’s just an incredible odyssey of adventure, love, betrayal, criminality, gods, and everything in between. The adventure of it and the uniqueness of the environment, all of that, felt fresh and exciting to me. But then, most of all, it was just the themes. Gregory David Roberts, who’s the author of the novel, is an exceptionally bright thinker. The way he explores theology, philosophy and psychology in this book, gave us some really juicy themes to play with, if we could bring it to screen.
Collider: Charlie, you’ve done a variety of films since Sons of Anarchy came to an end, but this is the first TV series that you’ve led since then. Had you been hesitant about doing another TV series? Was it just about finding a character that you wanted to play for a longer period of time?
CHARLIE: It was this. I was obsessed with this, and it’s taken seven years, which is basically the amount of time that I’ve been free from my contract for Sons of Anarchy. In the moments where I lost faith in this actually happening, and there were a few of those moments, I considered some other TV opportunities because I was actually very eager to get back to TV. I was proactively looking for an opportunity to get back into television. But this was the one I just always came back to. There were some things that I got really close on, that have ended up being great, but I just held the line and said, “This is the one that I really wanna do the most.” Thankfully, Apple was game for it.
“It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured.”
An escaped convict with a false passport, Lin flees maximum security prison in Australia for the teeming streets of Bombay, where he can disappear. Accompanied by his guide and faithful friend, Prabaker, the two enter the city’s hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.
As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city’s poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.
Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart.
You can purchase your very own copy of the book from Amazon, Barnes & Noble and many other retailers by visiting Macmillan Publishers and don’t miss Shantaram which is exclusively streaming on AppleTV+ now!
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